WHEN DID YOU KNOW YOU WANTED TO BE AN ARTIST?
It wasn’t my plan to be an artist. At school I concentrated on academic subjects. My art career has been built quite organically, through having a furious hobby and sheer determination.
ARE YOU SELF-TAUGHT?
Self-taught in as much as I didn’t have formal art training. Part of it was my own discipline and practicing hard, but over the years I’ve worked with some really outstanding artists and mentors.
WHAT IS YOUR FAVOURITE SUBJECT TO PAINT?
Anything that allows me to indulge in playing with shape, colour and texture. Figurative art has been my favourite, but my students wanted me to teach landscapes and seascapes, and I’ve come to love these too.
HOW DID YOU DEVELOP YOUR MIXED MEDIA STYLE?
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Esta historia es de la edición September 2020 de Artists & Illustrators.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
