Izanagi and Izanami C. 1900 CE Nishikawa Sukenobu
THE GREEK WORD MYTHOS ORIGINALLY meant ‘word’ or ‘story’. But time wrought new meaning into it, limit-ing both its reach and scope. As Herodotus (Greek, 4c BCE) established the concept of historical fact, ‘mythos’ was debunked. It came to stand for fiction, or that which was not (entirely) true, a matter of conjecture that had been handed down anonymously, standing apart from ‘logos’, which came to us from an authorised source.
Over time mythos was further disenfranchised. History, science, philosophy, literature and other formal disciplines separated themselves from the jumble of ideas that gave the word its power and meaning. Even so, even with its frontiers breached, mythos/myth/mythology has held its own. Preserved as sacred stories, they are often seen as markers for civilisational identity and early human thought.
Myths reveal humankind’s perennial quest for meaning. They bind us in a web of common themes and anxieties, revealing the imprint of a shared intangible inheritance of big ideas. Nothing illustrates this more effectively than myths about the creation of the universe and that of mankind. How the universe came to be is a puzzle that every civilisation has struggled to solve.
Into the light, out of darkness
The Zuni, a Native American tribe, believe the world began in darkness. All beings lived in the dark, were made of slime and had webbed feet, hands and horns and tails. The Zuni imagination recalls an original being called Áwonawílona, who contained the world within him. He began the act of creation by projecting his inner thoughts onto the outside world and, as he did that, manifested himself as a mist-filled space and a self-realising image, the sun.
Esta historia es de la edición April - June 2020 de The Indian Quarterly.
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Esta historia es de la edición April - June 2020 de The Indian Quarterly.
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The Image-Maker
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The Nawab's Last Sigh
Rudely awakened by the fact of independent India, an aristocrat in Meerut clung to his past. Now, he tells Sunaina Kumar, all he has left are his memories of a glorious age.
The Guest
Vaiyavan is the nom de plume of MSP Murugesan. Born in 1936, he did sundry jobs before obtaining postgraduate degrees by correspondence and then served as an English and Tamil teacher till his retirement in 1996. His writing career began in 1956. Multifaceted and prolific, he has to his credit a long list of short story collections, novels, plays, literary essays, poems and children’s stories. He has won several awards including Tamil Nadu government awards for best book on culture (1982) and best science book (1992) and the Malcolm Adiseshiah award for active participation in neo-literacy activities (1996). In his short stories and novels, Vaiyavan revels in a zest for life. Humaneness is the hallmark of his work, as the pain and pleasure, trials and tribulations of people in different rungs of society are described in minute detail. —CGR
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Arundhuti Dasgupta and Utkarsh Patel recount obscure creation myths from around the world, many echoing each other
Family Business
AT THE DINDUKKAL BUS DEPOT, the abortionist pushed her way through the crowd thronging the bus and finally managed to board it. She placed her travel bag beside her on the seat, calling out to her niece to hurry up. The young woman renewed her efforts to break free of the tangle of limbs and claim the seat reserved for her.
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Fragments of memory of a time long gone, from a life lived far away. By Selma Carvalho