Looking at Jorja Chalmers’ life thus far you could easily conclude: ‘you certainly make your own luck’. That’s because Jorja worked hard building the foundations of a successful music career early on. At just five she started learning piano; little more than a decade later she was teaching music, and not a lot longer after that she was studying at Sydney’s Conservatorium of Music. Yet ironically, only once she turned her back on studying and shipped over to the UK, did her break come, and she ended up touring with the likes of Take That, Ting Tings and Bryan Ferry as both keyboard player and saxophonist. Wiki describes her as (we’re not proud but we do like this quote) someone who “steals the show, blasting out the sax lines with a refreshing brashness”. Live credentials aside though, Jorja has just unleashed her latest album, Midnight Train. Mixed by Dean Hurley, David Lynch’s engineer, the album ‘cannibalises’ and then rebuilds influences including YMO, Michael Nyman and The Terminator, and has been described as a hypnotic work of Gothic grandeur. Questions, questions…
1 Tell us how you got into music production in the first place?
Jorja Chalmers: “I grew up in Sydney in a musical home. My mum played the guitar and sang and my dad built himself these incredibly powerful speakers and used to play everything at top volume. I started mucking about on the piano when I was about five and eventually started to write my own songs. I learnt saxophone in high school and went on to study at Sydney Conservatorium of Music.”
Esta historia es de la edición September 2021 de Computer Music.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición September 2021 de Computer Music.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Sonuscore The Score $399 PC MAC
The Score comes up with a film soundtrack based on your stylistic choices, but that’s just the start of it. Andy Jones scores The Score
Baby Audio Humanoid $129 PC MAC
Humanoid brings the ‘extreme’ and ‘radical’ to the world of vocals, but is also one of the easiest plugins to use and abuse, says Andy Jones
The Synth Factory Horizen $129 PC MAC
A synth/sampler that packs in a lot of power at an almost silly price - despite its low profile, Andy Jones gazes at Horizen...
Flow Mastering Suite $15/month PC MAC
Mastering your music just got as easy or as complex as you want. But, Andy Jones asks, is it worth yet another monthly subscription?
Universal Audio LA-6176 $299 PC MAC
UA has bundled three of its classic emulations into one channel strip. Is this analogue dream your ideal plugin team? Andy Jones finds out
Rack'em up...
IK Multimedia has announced a comprehensive update to its mixing and mastering software, T-RackS, that brings some smart mastering additions
FX Collection 5 €499
Arturia's huge bundle of effects gets its regular update and it's still easily as essential as the company's V Collection
Make a pulsing bass with GForce Axxess
Get mechanical, with a garage-inspired bass patch, which gets right to the pulsing heart of the Axxess synthesiser
The software that shaped us
Computer Music has had a 25-year history, and over the life of this magazine, the technology behind music production has changed beyond recognition. Here are the products that set the stage for the modern world…
PERFECT VIRTUAL GUITAR!
Need a great guitar sound, but lacking any guitar-playing contacts, or the skills to play it yourself? Have no fear, your computer is here! With a few pointers, buying advice and hands-on tips, you and your PC or Mac can emulate the greatest guitarists in the world…