Out Of The Cage
Empire Australasia|January 2020
From the ashes of Suicide Squad has risen something fresh, bold and exciting: birds of prey. Inside the first-ever female-ensemble superhero film
Eve Barlow
Out Of The Cage

Margot Robbie sits bouncing on the tip of a very large, very long tongue, laughing hysterically. It’s protruding from a statue of a woman’s head on a Burbank sound stage, which today has been decked out to represent a frightening abandoned funhouse. Sitting on another tongue opposite Robbie, also bouncing, are director Cathy Yan and screenwriter Christina Hodson, trying (not entirely successfully) to have a serious meeting in between takes. This trio have formed a gang over the past four years, spearheading the movie Robbie has dreamed about since first playing the scene-stealing Harley Quinn — psychiatrist-turned crazed criminal — in 2016’s DC comic-book adaptation Suicide Squad. Robbie, Yan, and Hodson are having so much fun, you forget that the action scene they’re attempting to figure out (it involves a fight that takes place inside an enormous slide) is one of the most complex in Birds Of Prey.

Wearing her producer hat, Robbie starts running through the choreography for the fight. It’s immediately clear that she runs this show. She’s a popular boss. On Fridays, she chooses a different fancy dress theme. Today is ‘Hawaii’, hence a crew dressed in Hawaiian shirts and leis. Last week was St Patrick’s themed. Her cast and crew cannot stop effusing about her work ethic and intellect. Producer Bryan Unkeless even insists she’s the most impressive person he’s ever met. “I feel most fortunate about meeting Margot Robbie more than most any other person in my life,” he says. “Every day we’re worried about a hundred things, but we’re never worried about Margot.”

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Empire Australasia

Out Of The Cage

From the ashes of Suicide Squad has risen something fresh, bold and exciting: birds of prey. Inside the first-ever female-ensemble superhero film

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January 2020
Empire Australasia

The Master Of Suspense

With a string of dazzling, high-concept thrillers, bong joon ho has drawn comparisons to hitchcock. But his films also have a strong social message, and his latest, parasite, is no exception

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Empire Australasia

Wonder Woman Swings Into The '80s

Director Patty Jenkins on setting Diana Prince loose in the era of excess

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The Many Parts Of Martin Lawrence

As the comedian makes a bigscreen comeback, he talks us through his greatest roles

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HIS NUMBER'S UP

AFTER 14 YEARS, THE LONGEST TENURE OF ANY BOND, DANIEL CRAIG IS ABOUT TO HANG UP HIS MARTINI GLASS AND WALTHER PPK. EMPIRE TRACKS 007 ACROSS THE GLOBE, FROM LONDON TO JAMAICA AND NEW YORK, TO BRING YOU THE ULTIMATE INTEL ON NO TIME TO DIE. AND HIS EMOTIONAL FAREWELL...

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THE FALL GUYS
Empire Australasia

THE FALL GUYS

In 2011, Zack Stentz and Ashley Edward Miller were the hottest new screenwriting team in Hollywood. Then they disappeared. Eight years later, they tell EMPIRE their cautionary tale; revealing the tough reality of a writer's life Hollywood

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Buddy Hell

The last blockbuster to be released in the 1980s, Tango & Cash seemed like a no-brainer: a buddy-cop team-up for two of Hollywood’s biggest stars. But it didn’t take long for the wheels to spectacularly come off

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BLAZING a TRAIL

Queen & Slim IS A ROAD MOVIE, A TENDER ROMANCE AND AN UNFLINCHING LOOK AT WHAT IT MEANS TO BE BLACK IN 21ST CENTURY AMERICA. EMPIRE ASSEMBLES ITS WRITER, DIRECTOR AND TWO STARS FOR A FRANK, FREEWHEELING CONVERSATION ABOUT WHY IT NEEDED TO BE MADE

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Empire Australasia

BATTLE PLANS

HOW SAM MENDES AND TEAM TURNED WORLD WAR I DRAMA 1917INTO A REAL-TIME, ONE-TAKE WONDER

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An Oscar-winning director. The world's biggest pop star. A classic West End musical. Judi Dench with a tail. The biggest gamble of the year

Ever since the trailer dropped the world has been mesmerized by Cats. We journey deep inside the maddest, milkiest film of 2019

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