AV INFO
PRODUCT: UHD DLP ultrashort-throw projector
POSITION: Above the 1080p laser-based HZ40UST
PEERS: Viewsonic X10-4K; Epson EHLS500W/B
Optoma is back with a new iteration of its ultra-short-throw living room-friendly projector. The CinemaX P2, unlike the original CinemaX P1, aka UHZ65UST, comes in a fresh white livery and offers a £300 saving on its predecessor. However, a cursory glance at the spec reveals there are changes beneath the hood that suggest a somewhat denuded performance.
How so? Perhaps most importantly, brightness is diminished by 500 Lumens, and contrast downgraded from a suggested 2,500,000:1 to 2,000,000:1. The colour gamut has also shrunk in the wash. Optoma claims 85 per cent of DCI-P3 for the P2, compared to 87 per cent on the P1.
One upshot of these revisions is that this model is now closer to the considerably cheaper Viewsonic X10-4K [HCC #299]. It’s also at a spec-sheet disadvantage against the brighter but similarly priced Epson EH-LS500 [HCC #309].
So is this moderated UST projector now too much of a compromise to warrant the saving? Or has Optoma actually found the right balance between performance and price? Time to dim the lights...
Like Ps in a pod
Esta historia es de la edición Xmas 2020 de Home Cinema Choice.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición Xmas 2020 de Home Cinema Choice.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming