AIthough Serif has been making software since the 1980s, Affinity Designer has only been around since 2014, when Serif decided to refocus its effort on a few core design programs. Its steep trajectory since then has shown no discernible lag and this vector-based illustration and design tool remains the main industry rival to Adobe Illustrator.
Affinity Designer remains affordable, too; at £47.99/$54.99 - a one-off payment for Windows or Mac - it costs less than many other graphic design software alternatives, especially those with a subscription model. Serif has been no slouch in terms of offering a very capable version for iPad, too. Couple that with the ability to work between both Affinity Photo and Affinity Publisher, and you've got a very substantial yet compact suite for designers and digital artists.
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PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing
