When editor Ian Dean emailed me, offering me the chance to do a cover for ImagineFX, I was flabbergasted. This is something I didn’t expect so early on in my career. After all, I only started freelancing a year ago.
I wanted to be in ImagineFX ever since high school. I used to buy it and learn from many of the featured professionals and illustrators, hoping one day I’d get my art in this leading magazine. And now here I am – my wish has come true.
For this workshop, I’m painting Harley Quinn. She’s fun to draw, because you can do so much with her. She’s a witty and vibrant ant-hero – even though she’s a psycho! For this cover I want to combine those traits, and add her unique punk style.
When I create digital art comic covers, I like to keep things fairly simple: sketch, line, flats and colour. I always start by finding reference that supports the idea I have in my mind, and to help me see where the concept is going. I then go on to do thumbnails of my concepts, trying to capture the feeling and mood I want to pursue in the final piece.
I like to keep my line-work loose, but well-defined. I achieve this by using a brush that has a traditional like feel of a pencil or charcoal. Then for greys, I use mid-to dark tones to help me flat individual areas and avoid unwanted spots to help myself ease into my colouring phase.
For colouring, I use hard and soft brushes to help render certain areas and textures in the skin and fabrics. I’m able to work quickly with both of these brushes – ideal for meeting tight deadlines! Finally, editing the colours and using filters gives my art greater vibrancy and balance.
I’ve used this process for many of my covers, and I hope you’ll enjoy this ride that I’m taking you on…
Esta historia es de la edición November 2021 de ImagineFX.
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Esta historia es de la edición November 2021 de ImagineFX.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing