Do the crime, do the time… Miles Hamer remembers a fourth-dimensional slice of ’90s Brit TV
In 1997, there was one problem-solving time traveller fans wanted to watch on Saturday evenings. What they actually got wasn’t exactly Gallifreyan.
As everyone’s favourite TARDIS-dwelling hero was left twiddling his sonic in America, weighed down by legal issues, Saturday night was getting on without the good Doctor quite happily. Not to mention noisily.
Hi-octane, quasi-futuristic espionage series Bugs had been waving the explosive flag for action family drama. It was a solid hit for BBC One and the channel soon sought out another show to fit the same post-National Lottery, pre-watershed timeslot.
Bugs’ production company, Carnival Films, pitched an idea from writer Anthony Horowitz. “The BBC wanted another Saturday evening show so we were able to persuade them to give this one a go,” producer Brian Eastman tells SFX.
The two had worked together on prestige ITV drama Poirot, where the prolific author had the idea of a reverse engineering crime drama: where the detective could nip back in time to prevent, solve, or on occasion, be the unwitting cause of the case. Already a seasoned crime drama pro by this stage, Horowitz undertook writing all eight episodes of the series.
Remarking on the task of grappling with all the mind melding implications of time travel, he admitted that he “read a couple of books, didn’t understand them, and then wrote the series.”
Time Bandits
The premise, on paper, looked fairly simple. Teaming a rule-stretching copper, Jeff Slade, with time-bending scientist Holly Turner, Horowitz envisioned a fast-paced howdunnit of non-chronological investigations and circular logic. Plus, just a little on-off romance between the two leads (hey, this was back when The X-Files still carried mainstream cultural heft).
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Making Alien - Jaws in Space - Forty-five years on from its original release, Alien continues to terrify. We dissect what arguably remains the most chilling instalment in the saga
The seven-strong crew of the commercial mining spacecraft the Nostromo seal their fate after reluctantly responding to a mysterious distress signal on a hostile planet. Here, a face-hugging alien from a derelict ship impregnates and later kills executive officer Kane (John Hurt) after its offspring is birthed onboard. After being unleashed, the fearsome newborn with acid for blood proceeds to dispatch the remainder of the crew.Ridley Scott's much more convoluted prequels have yet to reveal how the knowledge that led to this initial interception was acquired. However, the premise of the original Alien is perfect in its uncomplicated purity.
PURE AND SIMPLE
IN THE FINAL PART OF OUR EXCLUSIVE INTERVIEW, SHOWRUNNER RUSSELL T DAVIES TALKS RELAUNCHING DOCTOR WHO
TO CAP IT ALL OFF
CELEBRATING 40 YEARS OF THE BBC SERIES THE TRIPODS
FRENCH REVOLUTION
THE WALKING DEAD SPIN-OFF SHOWRUNNER DAVID ZABEL ON BEING GIVEN THE TOUGH TASK OF REUNITING DARYL AND CAROL IN FRANCE
SILENT KILLERS
THE DIRECTOR OF HOLLYWOOD'S SPEAK NO EVIL REMAKE ON HORROR, COMEDY AND JAMES MCAVOY
BRING OUT YOUR DEAD
THE GHOST WITH THE MOST RETURNS FINALLY - IN BEETLEJUICE BEETLEJUICE
TEENAGE DREAM
JOE LOCKE HITS THE ROAD RUNNING
MOB RULE THE PENGUIN
GOTHAM'S UP FOR GRABS IN BRUISING NEW CRIME SAGA BUT WHERE IS THE BATMAN?
SEASON OF THE WITCH
AS MARVEL TELEVISION CARVES OUT A NEW PATH FOR ITSELF, WE SPEAK TO CREATOR JAC SCHAEFFER, PLUS A CAST OF STARS LED BY KATHRYN HAHN AND JOE LOCKE, ABOUT THE MAGIC OF WANDAVISION'S SPIN-OFF AGATHA ALL ALONG
Ghouls Allowed
Even silence can't save you at this year's Halloween Horror Nights