THE PLANETARY Union's mid-level exploratory vessel USS Orville has a bit of swagger about her this year. Yes, she's had some work done, but it's more than just cosmetic. As the formerly comedic sci-fi show returns for a third season subtitled New Horizons - a move from network television to Hulu in the States means The Orville is grander than ever, and competing in the big league. Alongside some breathtaking effects and scenes that will make you cry, the crucial difference is that the production team are no longer constrained by "regular" episode lengths.
Creator, writer and Captain Ed Mercer himself, Seth MacFarlane, felt naming the season was appropriate. "It seemed that because the show was going to be making such an uptick in scope, and in many ways, going to feel like a reset, it felt like it wanted something special," MacFarlane says. "You had a new opening title, a new set, new costumes, a new look, just a new aesthetic that really competes in the world of streaming shows."
But fear not: "The show is still the show, but with some new aspects to it," executive producer Brannon Braga says, pointing out that it's not just a matter of the show having a new home. "We're getting to a point in the third season where the kinds of stories we wanted to tell were much broader and more ambitious in scope than even the first two seasons. Seth was feeling constrained by it. The show features a newly revamped Orville, a new crew member on the bridge, and what we think are bigger, more spectacular stories, not just in terms of the visuals and the action, but the emotions and the emotional fireworks as well."
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS