In late 2018 I reviewed Epson’s 4010 PRO-UHD 3LCD Projector, a $2,000 model with a bright (2,400 lumens) picture, 4K/Ultra HD display via pixel-shifting, and a wide range of sophisticated setup features such as motorized lens shift and focus that are typically found only on much more expensive models.
But that wasn’t all the 4010 had to offer. It also provided high dynamic range compatibility plus a claimed ability to hit 100 percent of the P3 targets within the Rec. 2020 color space used by Ultra HD sources (98 percent, by our measurements). While I liked the 4010, and appreciated the high value proposition it presented, my main complaint was that its contrast performance fell short of other projectors I’ve tested, including other models from Epson. Which is why I leaped at the chance to review the company’s new 5050UB, another affordable projector offering high-end specs, Epson’s coveted UB (UltraBlack) designation, plus a slew of new features designed to enhance the display of Ultra HD/HDR sources.
What makes an Epson projector UB, as opposed to non-UB? For models like the 5050UB, a proprietary filter is used that controls light polarization within the projector to eliminate any leakage. While that might not sound like a big deal, the increase in contrast provided by Epson’s UltraBlack technology makes both a visible and measurable difference. Add to that the projector’s impressive 2,600 lumens color and white brightness spec, and you have a model that appears primed for UltraHD/HDR movie-viewing.
To provide more detail on the 5050UB’s HDR handling, it supports both the HDR10 and broadcast TV-friendly HLG high dynamic range formats. Epson also added a 16-step HDR curve adjustment, accessible from the projector’s remote control, to modulate the tone map of incoming HDR signals. As I’ll discuss in more detail later on in this review, the curve adjustment goes far to fine-tune the picture quality of HDR images, which can vary dramatically on a disc-by-disc or stream-bystream basis.
Esta historia es de la edición August - September 2019 de Sound & Vision.
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Esta historia es de la edición August - September 2019 de Sound & Vision.
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The Big Clean
Chances are you probably do not think about the state of your electronic devices too often. Oh, you might think about all the upgrades you would like to make; where you would put those new tower speakers, or how a second or third subwoofer would really tame those bass modes in your room, or how much more cinematic a larger screen would be. Sure, you think about that part of your system. But how often do you think about the well-being of your system?
Planar-Magnetic Attraction
THE DIPTYQUE DP 115 speakers are a new model 2-way, ribbon, and planar magnetic driver dipole \"isodynamic\" speaker system designed and built in France.
Full-Featured 4K
THE QN95D is one of two televisions we went hands-on with on a recent trip to Samsung's New Jersey QA Lab, the other being the S95D quantum-dot OLED.
Party Animal
FOR ANY party, the Soundcore Boom 2 Plus Outdoor Bass Bluetooth Speaker is an essential invite.
It's the End of the World. How About Popcorn and a Movie?
Attention all preppers! Today's column is right up your alley-or, more precisely-your tunnel to your underground bunker.
Bridging the Analog-Digital Gap on a Recliner
When I shopped for a motorized recliner, I rejected models with their own Internet Protocol address and built-in speakers. No need. I had already placed a smart speaker on an étagère beside the space where I had planned to put the chair. I'd have a smartphone in my hand and the room would be bathed in Wi-Fi.
BACK TO THE GARDEN
AN AQUARIAN EXPOSITION in WHITE LAKE, N.Y.
Big Sound, Small Price
DOLBY ATMOS, once a costly premium, is enjoying a surge of popularity across a range of new audio gear.
Classic Sound with Streaming Smarts
THE TWENTIETH century had its Roaring Twenties; welcome to the twenty-first's Streaming Twenties.
Stand and Deliver
IT DOESN'T seem all that long ago that SVS first entered the audio scene.