Quixotic chamber folk jazz from Chicago’s questing six-stringer.
FOR a number of years now – ever since 2015’s Primrose Green, really, a fluid, languid daze of an album, a drifting jazz-folk odyssey – people have been waiting for Chicago singer-songwriter Ryley Walker to make the one, the album that would capture his spirit and essence, that would mark him out as one of the greats among his peers – and of his times. It’s something that Walker seems a little uncomfortable with, particularly given his tendency to torch, or at least actively disown, the music of his recent past. In 2016, for example, in an online interview around the release of Golden Sings That Have Been Sung, he pretty much crossed a line through his early guitar soli and folk-song years: “It wasn’t my strong suit. I did that for a few years, and I was like, ‘Goddammit. Why am I doing this? It’s not me.’”
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Kim Gordon: La Ghosts & Flowers
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Tinariwen: Even Nomads Get The Blues
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The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
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Robert Plant - Digging Deep
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'I'll Tell You The Full Story…'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIE’s early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowie’s breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless “Space Oddity”, and tearful studio interludes… but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himself…
