Albanian artist Anri Sala’s work explores the moment between the tangible and intangible. It exists somewhere between time and space, perhaps even ricocheting between the two. His latest major work combines film, sound and installation at the Buffalo Bayou Park Cistern, a vast underground reservoir in Houston, Texas.
Titled Time No Longer, the work is inspired by the African-American astronaut and jazz saxophonist Ronald McNair, who was a crew member on the Space Shuttle Challenger in 1986 and had the intention of recording the first original piece of music in space. McNair intended that recording to be played as part of Rendez-vous Houston, a live concert by French composer Jean-Michel Jarre to mark the 150th anniversary of the city of Houston and the 25th anniversary of Nasa. Had the Space Shuttle Challenger not exploded seconds after take-off, McNair would have set that record.
Sala’s immersive installation features a floating, weightless turntable, projected intermittently onto translucent Hologauze. The stylus grasps for purchase on the record’s grooves, sometimes managing to communicate music, other times skipping and revolving back into space, resonant of the moment McNair never played. As the motion repeats, we hear snippets of music.
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Blonde Ambition - A new iteration of Gucci's beloved 'Blondie' bag fuses effortless Seventies insouciance with crisp modernity
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Over the last decade, Bali-based studio Ibuku, headed up by designer Elora Hardy, has become a leading expert in bamboo architecture, its output encompassing everything from a traditional Sumbanese house and a yoga and meditation space to playful treehouses and a riverside café at an eco-friendly jungle retreat in Ubud. In 2021, the studio completed The Arc sports hall at the Green School in Bali (founded by Elora's father, designer John Hardy). Made from a series of arches spanning an impressive 19m, it was a pioneering feat of bamboo engineering.
Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
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Commercial artists
We conjure up public spaces that look and feel good, taking our design cues from the domestic landscape
LINES OF BEAUTY
Massimo Giorgetti's new rug collection for CC-Tapis takes Milan's 1960s metro system as a departure point
