Debasmita Ghosh from Ahmedabad belongs to a breed of artists, who express their ideas by using common material – in her case she prefers the humble glass. In December 2017, Debasmita launched her brand Aadikara, meaning the first creator, and another name for Lord Brahma. In a short span, success has followed this NIFT and NID Design postgraduate. She manipulates glass to create beautiful, nature-inspired designer jewellery that blew our minds.
Growing up, your childhood surroundings influenced you to be nature-inspired. Tell us more about it.
I grew up in West Bengal and Bihar, and I have had the privilege of being surrounded by vivid natural and cultural landscapes; an endless repertoire of creative practices, arts and crafts rooted in earthy processes, which kept my curious mind engaged in observation.
What also grew with time, inside me, was the admiration for aesthetic and functional details which exist in nature; and the understanding that the man-made world was also more or less inspired by these very details of the natural world.
After exploring arts and craft during my schooling, the next step was to pursue formal education in a creative discipline.
What were the trigger factors that made you pursue jewellery designing?
Most of my explorations as a design student were aimed at creating products and accessories which were handcrafted and not mass manufactured. This led me to study application of design in creating deliverables specifically for ornamentation purposes. Jewellery design, too, started as my graduation project at NID, where I explored the medium of glass, which is not considered to be conventional enough to be produced commercially or non-commercially in India. The research and design explorations done during the project helped me choose this profession.
Why glass?
Esta historia es de la edición November - December 2018 de Adorn.
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Esta historia es de la edición November - December 2018 de Adorn.
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