WE’VE BEEN WAITING on a second Black Star album since the Clinton administration. The fact that No Fear of Time now exists is incredible. The mission for the first album, Mos Def & Talib Kweli Are Black Star (1998), was to generate buzz for the duo who made it. It introduced Yasiin Bey (then known as Mos Def) and Talib Kweli as young philosophers and budding radicals. Luring you in with prodigious mic skills, the pair sent you away with homework, referencing seminal books, films, albums, and thinkers that listeners could track down in their free time. The two Brooklyn rappers hoped it would build a foundation for their future solo releases, but something else happened: Every time they linked up after that, fans of their collaboration thirsted anew for a sequel.
Esta historia es de la edición May 9-22, 2022 de New York magazine.
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Esta historia es de la edición May 9-22, 2022 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten
