TWO DAYS BEFORE the 2019 Grammys, much to the chagrin of her team, Janelle Monáe went skydiving. Her album Dirty Computer was nominated for Album of the Year, she was scheduled to perform, and still she and some adventurous friends drove two hours outside Los Angeles on a clear and sunny afternoon. They watched a training video about the inherent risks of throwing yourself from a plane with only a parachute to bring you safely back to earth. As Monáe waited at 14,000 feet, preparing to dive into the great wide blue below her, she was ready. If she died, she thought, at least she would die doing what she wanted. She stared down and marveled at how small the world seemed—tiny houses, tiny cars, tiny people—and in that moment, she felt fearless.
There was something cathartic about that jump, the exhilaration of flying through the air and the simple satisfaction of realizing she had the courage to make that leap. It was the beginning of what would become a year of introspection and evolution for Monáe. “I wanted to skydive into different parts of my life,” she said when we met for dinner in L.A. We were ensconced in a booth in a darkened corner of a private club in West Hollywood where celebrities and other assorted fancy people have to put stickers over their camera lenses before they gather to eat and drink and see and be seen. It’s a silly gesture, because what can be applied can just as easily be unpeeled, but, like airport security, I suppose, it allows members to feel like their privacy is safe.
Esta historia es de la edición February 3 – 16, 2020 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición February 3 – 16, 2020 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten