The music that the Berlin-based, Finnish duo of Ville Haimala and Martti Kalliala create as Amnesia Scanner isn’t easily categorised. Their earliest tracks, released anonymously in 2010s, combined the maximalist tendencies of
American EDM with experimental structures designed to wrong-foot the listener as much as make them dance. 2018’s debut album, Another Life, was like rave music turned up to 11, throwing speaker-shaking synths and pop-vocal hooks alongside distorted digital effects and clangorous metallic percussion.
This year’s follow-up, Tearless, pushes their sound into the unknown further still, creating a bleak and apocalyptic tapestry that touches on heavy metal and drone alongside throbbing club beats and almost operatic vocals. Featuring vocal contributions from Brazilian DJ and producer Lyzza and Peruvian artist Lalita, it’s an album that makes a feature of digital alienation; held together with a through-line of vocals that sound distant, warped and ominous. We caught up with the duo for a rare interview to quiz them on how their eclectic soundscapes come together.
What was the original inspiration behind Amnesia Scanner? There seems to be a real mixture of influences at play.
“We started AS as some sort of a blank slate and a playground for us to experiment on whatever we find interesting, so there’s never been any single inspiration, rather an ever growing Frankensteinstyle fusion of different inspiration sources. We listen to stuff on quite broad scope which helps to amplify this.”
Tearless sounds like a record with a concept at its heart, but one that’s fairly abstract – can you tell us a little bit more about the themes behind the record?
Esta historia es de la edición September 2020 de Future Music.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición September 2020 de Future Music.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates