Garage Music
Future Music|September 2020
Forgive us the sweeping generalisation, but we reckon it’s fair to say that most musical styles are invented by musicians and producers first before being adopted by labels, DJs and journalists. Garage music – at least in its original form – is an extreme outlier. Not only can we trace the sound back to one club, it also comes back to one DJ: Larry Levan.
Garage Music

Levan was born in Brooklyn in 1954, growing up surrounded by music thanks to his mother’s passion for jazz, blues and gospel. As a young, gay Black man in the post-Stonewall New York City of the early ’70s, Levan immersed himself in the city’s underground music scene, first as a dressmaker in Harlem’s ballroom community, where he met Frankie Knuckles, and then as the pair explored scenes like David Mancuso’s Loft and Nicky Siano’s Gallery. Siano took the pair under his wing and introduced them to DJing, with Levan starting his career playing at NY gay venues including the Continental Baths bathhouse and the 143 Reade Street warehouse.

After Reade Street was shut in 1976 for fire regulation breaches, owner Michael Brody hired Levan to be resident DJ at his new venue, Paradise Garage, which opened in 1977. The former parking garage on King Street in west SoHo became synonymous with Levan and by the early ’80s had become an iconic venue and a key part of New York’s underground club culture.

Esta historia es de la edición September 2020 de Future Music.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición September 2020 de Future Music.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE FUTURE MUSICVer todo
SONIC DESTRUCTION
Future Music

SONIC DESTRUCTION

From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong

time-read
10+ minutos  |
Autumn 2021
Feed Me
Future Music

Feed Me

EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach

time-read
10+ minutos  |
Autumn 2021
Exploring Akai MPC
Future Music

Exploring Akai MPC

Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides

time-read
8 minutos  |
Autumn 2021
Liars
Future Music

Liars

Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike

time-read
10+ minutos  |
Autumn 2021
Jean-Michel Jarre
Future Music

Jean-Michel Jarre

The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...

time-read
10 minutos  |
Autumn 2021
Noise
Future Music

Noise

With roots as far back as 1913, noise is the genre that’s also a state of mind

time-read
4 minutos  |
Autumn 2021
1010 Music Bitbox mk2 £549
Future Music

1010 Music Bitbox mk2 £549

Rob Redman finds out whether this updated sampler box of tricks contains any more surprises

time-read
3 minutos  |
Autumn 2021
Erica Synths and Sonic Potions LXR-02 £499
Future Music

Erica Synths and Sonic Potions LXR-02 £499

Rob Redman braces himself for another resurrected blast from the past

time-read
6 minutos  |
Autumn 2021
Modal SKULPTsynth SE £169
Future Music

Modal SKULPTsynth SE £169

Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound

time-read
3 minutos  |
Autumn 2021
Reason Studios Reason 12 £399
Future Music

Reason Studios Reason 12 £399

Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates

time-read
3 minutos  |
Autumn 2021