Alfred Lion founded Blue Note Records in 1939 with the help of his friend, executive and photographer Francis Wolff. Together they created a label that featured a staggering number of legendary jazz artists, developing and promoting their talents with help of graphic designer Reid Miles and iconic sound engineer Rudy Van Gelder. They produced not only the unique Blue Note sound, but also its look and, crucially, vibe.
They recorded them all, Monk, Davis, Coltrane, Shorter, Hancock, literally a who’s-who of jazz. The label was at the cutting edge for bebop, hard bop and avant-garde styles. Two crucial differences between Blue Note and other labels was for both the enthusiasm of Lion and Wolfffor ‘music for music’s sake’, not purely as a commodity to make money. Secondly, they always paid for rehearsals and encouraged the artists to include as many original compositions as possible, so you hear fewer standards than on rival labels and often the arrangements are more cohesive and secure. More recently, the catalogue has been sampled by many of the biggest hip-hop artists, helping to establish a cultural connection spanning generations.
ADDING EXPRESSION WITHOUT BENDING
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Esta historia es de la edición February 2022 de Guitar Techniques.
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THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.