Julian Bream 1933 – 2020
Britain’s foremost classical guitarist dies aged 87
English classical guitarist JulianBream passed away at his home in Wiltshire on 14 August, aged 87. He will be remembered as one of the greatest solo guitar players to emerge in the 20th century, following Spain’sAndrés Segovia in bringing the classical guitar to wider recognition and acclaim at a time when it had struggled to do so. With a repertoire drawing on European works, as well as the Spanish and Latin worlds of Segovia, Bream’s legacy is all the more remarkable for the obstacles he overcame early on while pursuing classical guitar.
In childhood, Bream played piano and cello but was inspired to pick up a guitar after taking his first lessons with his jazz-playing father and hearing the music of Django Reinhardt. However, by the mid-1940s, Bream had made the decision to study classical guitar after hearing Segovia on record. He gained entrance into London’s Royal College of Music as a pianist, cellist, and composition student in 1949 but left the school after it disapproved of him bringing his guitar through the front door to play. Bream later spent time in the army, before pursuing his career as a classical guitarist again, continuing the film-soundtrack work he had done as a student to earn money and session playing for radio plays. By the late 1950s, he was touring internationally.
Esta historia es de la edición October 2020 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición October 2020 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more