Photography has an increasingly important role to play in conservation, but it’s hard to translate a desire for change into reality.Tracy Calder talks to Keith Wilson, the editor of two books genuinely making a difference.
It seems fitting that a project such as Remembering Elephants should arise from a conversation between two people at the Royal Geographical Society headquarters in London. The Society has long been associated with big ideas and adventurous souls including Sir Ernest Shackleton, Captain Robert Falcon Scott and Sir Edmund Hillary. On this occasion those gathered were at the RGS to support wildlife photographer David Lloyd as he launched his new book As Long As There Are Animals in October 2014.
Partway through the event, photographer Margot Raggett got chatting to Keith Wilson, founder and former editor of Wild Planet Photo Magazine. Before long she was telling him about her plan to produce ‘the most beautiful book about elephants ever made’. ‘Margot had a clear idea of what she wanted,’ explains Keith. ‘Her idea was to get wildlife photographers to donate an image, put them in a book, sell the book, and give the money to charities working to protect elephants and fight ivory poaching.’ Like all of the best ideas, it was a simple one, but she needed someone to help her source the images, persuade photographers to take part, and ensure the finished article was the very best it could be. ‘Margot had never produced a book before,’ says Keith. ‘She wanted high-quality printing and high production values, and she asked if I could help.’ Of course, he said yes.
Esta historia es de la edición April 29,2017 de Amateur Photographer.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición April 29,2017 de Amateur Photographer.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.