We live on a wild planet. It’s a fact that sometimes gets lost or forgotten, as so many of us spend more time than we’d like in front of computers or television screens, or stuck inside offices, factories and other places of work.
Getting out to explore what nature has to offer is always a breath of fresh air, and the diverse creatures we share the world with offer incredible potential for photographers. My job as a wildlife photographer has taken me around the world, from the white wonderland of Antarctica to the lush rainforests of Malaysia and the teeming savannahs of Tanzania, filling my mind (and hard drives) with memorable encounters. But photographing wildlife doesn’t always require a flight halfway around the world – there are some amazing natural wonders to be found near to home, in national parks, nature reserves, forests and even parks right in the middle of our biggest cities.
Wildlife photography rewards photographers who take their time and look carefully at what’s around them. It’s not all about capturing iconic giants, such as gorillas, elephants and polar bears, but it can often be as much about finding a tiny frog hidden among green leaves or a colourful bird perched on a branch.
Expensive gear is no replacement for creativity, patience and perseverance, and it’s true that you can take good pictures with a phone or an inexpensive camera. But it certainly increases your chances of getting the results you’re after if you match your photographic ideas with the right equipment – and know how to use it.
Esta historia es de la edición Issue 252 de Digital Photographer.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición Issue 252 de Digital Photographer.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents