STUDIO FREE MULTI-LIGHT PORTRAITS
Digital Photographer|Issue 251
Create professional grade studio-type lighting in confined locations, using only speed-lights and reflectors
STUDIO FREE MULTI-LIGHT PORTRAITS
What you’ll need
  • Tripods/light stands

  • Multiple speedlights

  • Speedlight softbox

  • Radio triggers

  • White board

  • Zoom lens

Difficulty level: Advanced Time taken: 2 hours

While having a photo studio can be a great benefit to a business, not every photographer chooses to invest in one. Many prefer to work remotely when they do not require studio lights often enough to justify the cost of renting a space. Even professionals who do have a fixed-base studio will occasionally have to work without the freedom that such a space can offer.

For both commercial and individual clients, you may find yourself shooting in their office or even their own home, environments that are far from ideal with regards to ambient lighting and the available space to work. Low ceilings, cramped conditions, and no large expanses of the seamless wall make capturing a portrait that looks like it was shot in a dedicated studio incredibly challenging. This is especially true when shooting more than a headshot – a shoulder or full-length portrait.

One solution is to learn how to balance the light from off-camera flashes for the close quarters of a small room and to identify potential sources of colour contamination. These can then be excluded from the immediate environment of the subject.

Let’s take a look at how to create a moody portrait image using only two or three remote speedlights, small-scale light modifiers and a restricted textured background.

Shooting steps

Esta historia es de la edición Issue 251 de Digital Photographer.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición Issue 251 de Digital Photographer.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE DIGITAL PHOTOGRAPHERVer todo
Apply a stylised detail enhancement
Digital Photographer

Apply a stylised detail enhancement

Give your photos a movie aesthetic with the bleach bypass effect in Photoshop

time-read
1 min  |
Issue 280
Sony FE 16-25mm f/2.8 G
Digital Photographer

Sony FE 16-25mm f/2.8 G

Matthew Richards investigates this lightweight wide-angle zoom lens with a unique focal range

time-read
1 min  |
Issue 280
Nikon Z 28-400mm f/4-8 VR
Digital Photographer

Nikon Z 28-400mm f/4-8 VR

This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards

time-read
1 min  |
Issue 280
Novo Helix T50 Carbon Fibre Tripod
Digital Photographer

Novo Helix T50 Carbon Fibre Tripod

Adam Waring discovers an unfeasibly small yet feature-packed travel tripod

time-read
3 minutos  |
Issue 280
OM System OM-1 Mark II
Digital Photographer

OM System OM-1 Mark II

James Artaius finds the OM-1 Mark II has features that you wish your camera did

time-read
4 minutos  |
Issue 280
How do I get into events photography?
Digital Photographer

How do I get into events photography?

Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events

time-read
2 minutos  |
Issue 280
Career advice
Digital Photographer

Career advice

This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer

time-read
2 minutos  |
Issue 280
My dream photo kit
Digital Photographer

My dream photo kit

With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag

time-read
1 min  |
Issue 280
Create wet plate portraits
Digital Photographer

Create wet plate portraits

Recreate the collodion process for enhanced detail

time-read
1 min  |
Issue 280
Fine-tune colour and saturation
Digital Photographer

Fine-tune colour and saturation

Use Lightroom's extensive controls to enhance individual colours in your shots

time-read
1 min  |
Issue 280