The most powerful woman in the world of Bangladeshi art, Nadia Samdani is driven by an overarching vision to promote her country and its artists. The co-founder and president of the Samdani Art Foundation and director of South Asia’s biggest non-commercial art event Dhaka Art Summit, Nadia’s vision is as much about showcasing Bangladeshi artists as it is about promoting Bangladesh to artists and curators from around the world.
Over the past decade, Nadia and her husband Rajeeb Samdani have created a platform that is truly unique, co-opting talented professionals from around South Asia and the world, powered by their own philanthropy. “I’m a collector, yes,” admits Nadia, “but what I enjoy most is being part of the journey of these artists, watching them grow, and seeing their life change once they reach the international platform.”
Her other great pleasure comes a close second: “When we commission works to international artists, they come to Bangladesh, see the country and are inspired to create something for this milieu. It’s exciting for me to be part of the process from ideation to execution,” says the Dhaka-based philanthropist, who is a member of Tate Museum’s South Asia acquisitions committee and on its international council.
One could say that, for Nadia, art runs in her blood. Growing up in UK, she was influenced by her parents, who were collectors of Bangladeshi art. In the 1980s, Nadia’s father became one of the pioneers of Bangladesh’s garment industry, and the family moved from UK to Dhaka in the early 1990s.
Esta historia es de la edición April 2021 de eShe.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición April 2021 de eShe.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
God On The Tip Of Our Tongues
The pandemic has normalised spiritual discourse and religious references
A NEW APPROACH
Malayalam film actor and Oxford graduate Santhy Balachandran used her anthropology background to conceptualise an avantgarde music video
LOOKING OUT FOR THE BIRDS
Bird steward Karen Mason on why she wants to save the birds on Florida’s coasts and her viral photo of a bird feeding her chick
SORAYA CHEMALY: RIGHTS AND RAGE
Washington DC-based author and feminist activist Soraya Chemaly believes women’s anger can be a powerful force for social justice
A MYSTERY IN HISTORY
We review two novels set in the 20th century with fabulous, flawed female protagonists out to investigate strange goings-on
A MOM'S LIFE
Photographer Debalina Bhatta’s photo feature following her mother’s daily routine is an ode to mothers everywhere
THE RAGA OF LIFE
Mahesvari Autar’s events platform showcases Indian classical music and mantras to audiences in Holland
WOMEN FIRST
Michigan-based artist and entrepreneur Svitlana Martynjuk is determined to facilitate fair representation of women in the global art scene
UNLOCKING CREATIVITY
If the Covid pandemic affected each part of our lives, can art be far behind? Two young Indian painters Aditi Purwar and Shivangi Kalra take us through the ups and downs of their artistic journeys through the pandemic and how it has shaped their personal and creative vision
WORKPLACE WELLNESS
Management consultant Seema Rekha on why employee mental health is vital for company growth and why women make better leaders