Jivan Lee grew up in the rural New York community of Woodstock, exploring the bucolic landscape of the region. He later earned his bachelor’s degree in biology and his master’s in environmental policy from Bard College. At the same time, he pursued his interest in art. He came to Northern New Mexico to visit a friend, and shortly after his arrival, he became incapacitated with Lyme disease. During his recovery, he started doing environmental consulting and working on sustainable communities. He moved to Taos and taught at Taos Pueblo.
He became captivated by what is called “The Land of Enchantment” and stayed on. “The environmental stuff was part of why I went into painting,” he says. “Something in the art process felt essential and powerful in its potential to directly relate affectively about things that I felt often remained isolated in the conceptual realm in my previous career. I felt like I needed to find a more direct, tactile, emotional dimension of my relationship to landscape and place, and painting has been a most welcome vessel for this.”
The landscape around Taos is one of highs and lows. Nearby Wheeler Peak rises to over 13,000 feet above sea level and the Rio Grande Gorge is 564 feet deep. The combination is spectacular. There are a number of paintings of the Gorge in his exhibition Jivan Lee: Monument at William Havu Gallery in Denver, November 15 through January 11, 2020.
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
