Nicole Wermers
Frieze|Issue 243 - June - August 2024
Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.
Phin Jennings
Nicole Wermers

The Common Guild, Glasgow, UK

The sculpture’s upper portion, a nude female, rests on one elbow as she admires the view from her vantage point atop a wooden board balanced firmly on the work’s lower half: an abundantly stocked housekeeping trolley. The Capella Building, where she sits, is a plate-glass office development in the city’s business district. The large, seventh-floor gallery space had remained unoccupied from the building’s completion in 2008 until it was taken over temporarily last year by The Common Guild. Despite her corporate surroundings, however, Wermers’s figure is most definitely not at work.

Esta historia es de la edición Issue 243 - June - August 2024 de Frieze.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición Issue 243 - June - August 2024 de Frieze.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE FRIEZEVer todo
I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
Frieze

I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'

Conversation: Ahead of a solo show at London’s Cubitt Gallery, Marlene Smith speaks to Lubaina Himid about her time in the BLK Art Group, friendship and collaboration

time-read
8 minutos  |
Issue 243 - June - August 2024
Tell It Slant
Frieze

Tell It Slant

Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions

time-read
2 minutos  |
Issue 243 - June - August 2024
Dean Sameshima
Frieze

Dean Sameshima

What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.

time-read
2 minutos  |
Issue 243 - June - August 2024
Nicole Wermers
Frieze

Nicole Wermers

Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.

time-read
2 minutos  |
Issue 243 - June - August 2024
Greater Toronto Art 2024
Frieze

Greater Toronto Art 2024

Museum of Contemporary Art, Toronto, Canada

time-read
2 minutos  |
Issue 243 - June - August 2024
Echoes of the Brother Countries
Frieze

Echoes of the Brother Countries

In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.

time-read
2 minutos  |
Issue 243 - June - August 2024
Pierre Huyghe
Frieze

Pierre Huyghe

A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).

time-read
4 minutos  |
Issue 243 - June - August 2024
Inward Yearnings
Frieze

Inward Yearnings

Essay: Rianna Jade Parker retraces the history of the Jamaican intuitives, a group of self-taught artists who ushered in a national form of artmaking mythologizing African traditions through religious divination and esteem-raising cultural work

time-read
8 minutos  |
Issue 243 - June - August 2024
The Promise of the Past
Frieze

The Promise of the Past

Built Environment: On the occasion of the ‘Tropical Modernism’ exhibition at the Victoria and Albert Museum, Derin Fadina examines the architectural movement’s exclusionary narratives

time-read
5 minutos  |
Issue 243 - June - August 2024
Where Is Everyone?
Frieze

Where Is Everyone?

Built Environment: Minoru Nomata’s paintings ask why we obsess over unpeopled architecture

time-read
3 minutos  |
Issue 243 - June - August 2024