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Emraan Hashmi is no longer a serial kisser. He's no more into fluff and is concentrating more on substance. He was praised for his villainous role in Tiger 3 and is now earning accolades as a greyshaded character in the OTT show, Showtime. He's the perfect casting for the show as being an industry kid, he knows the ins and out of the profession. His sessions with uncles Mahesh and Mukesh Bhatt must have opened his eyes to the day-to-day travails of a filmmaker. The series is said to be full of insider winks and nods and offers plenty of goss to the discerning viewer. And Emraan seems to be enjoying himself playing a second-generation film producer, keeping the viewer guessing about his character's motives at every turn. Excerpts from a tete-a-tete with the actor who is finally free of sobriquets.
You've portrayed a grey character in Showtime. How are villainous roles evolving nowadays?
Raghu isn't the sole grey character in the series. If you observe closely, there are no black and white characters; they're all shades of grey. Even those who initially seem whitewashed in the first four episodes may surprise you. Present-day audiences disdain squeaky clean, unidimensional characters. We all possess shades of grey and sometimes engage in actions deemed unethical, yet concepts like redemption and remorse exist. No one's life follows a singular path of righteousness, a reality mirrored in films and shows.
Why did it take you five years to undertake an OTT project post Bard Of Blood?
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Esta historia es de la edición April 2024 de Filmfare.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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Kiran Rao, Payal Kapadia and Shuchi Talati are redefining contemporary Indian cinema by placing women at the centre of their narratives, offering a refreshing perspective through the female gaze. Their films, Laapataa Ladies, All We Imagine As Light, and Girls Will Be Girls, not only explore women-oriented stories but also challenge the traditional male-dominated lens of storytelling, creating nuanced portrayals of women's experiences, aspirations and struggles.
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AMAR SINGH CHAMKILA AND THE RAILWAY MEN WON BIG AT THE DANUBE PROPERTIES FILMFARE OTT AWARDS 2024. DEVESH SHARMA NOTES THE HIGHLIGHTS.
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MAHAKUMBH 2025 AT PRAYAGRAJ
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A HAIR-TRANSFORMING JOURNEY WITH EUGENIX
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LAND OF WONDERS: UTTAR PRADESH
UTTAR PRADESH CAME ON BOARD AS AN ASSOCIATE PARTNER FOR FILMFARE OTT AWARDS 2024
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THE DANUBE PROPERTIES FILMFARE OTT AWARDS 2024 WAS A RESOUNDING SUCCESS. DEVESH SHARMA PROFILES THE WINNERS
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LEGENDARY FILMMAKER SHYAM BENEGAL (DECEMBER 14, 1934-DECEMBER 23, 2024) IS NO MORE. DEVESH SHARMA TAKES A BRIEF LOOK AT HIS LIFE AND CAREER
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HYUNDAI MOTOR INDIA LIMITED ANDFILMFARE OTT AWARDS 2024:A CELEBRATION OF EXCELLENCE