Ingredients of Fiddle Tunes
Fiddler Magazine|Fall 2022
After several years of teaching and playing at the Festival of American Fiddle Tunes in Port Townsend, Washington, Marc Savoy, accordion maker and player, said he did not want to return. 
Dudley Laufman
Ingredients of Fiddle Tunes

"Why not?" said Frank Ferrel. "Because it is tough to bring the bayou climate, the smells, the architecture, the language, the landscape, up here to the cool and relatively new Pacific Northwest. I can bring the music, but without those other ingredients, it is incomplete. Now you take Dudley, all he has to do is describe a New Hampshire winter, and everything else is pretty much in place. Oh, the houses are a little funny here, and maybe the trees taller, but mostly it is like the coast of Maine." "Well," said Frank, "we can fix that. We have an old bakery here on the fort with a big cauldron in the middle. We'll shut the windows, turn on a humidifier, crank up the cauldron and have a gumbo going in it, and some black coffee at hand. You can have your classes in there." He did and it worked.

He was right, though, about the ingredients. Anita Best, folklorist from Newfoundland, says in the Rufus Guinchard film, "It's great that you can play your own music... that you don't always have to be playing American stuff, or Canadian stuff or French stuff. You can say I got that from here. This belongs here. The particular combination of geography, culture, and weather that produces Newfoundlanders ... the spirit of Newfoundlanders, it belongs here and is reflected in the music."

A talented person could stay in the confines of Harvard Square, never leave, and, on several instruments and the help of recordings, play music from many cultures ... sound bites ... surfing.

But the "ingredients" would be missing. Unless you traveled and/ or lived in the various places, the sound bite would be minus the "ingredients." Somebody says to me that they are an Irish musician. I say are you from Ireland. No, I am from Franklin. Have you ever smelled peat smoke. No, should I? They should get on an Aer Lingus to Shannon, and stay there for a bit. You don't have to be Irish. Just experience the ingredients.

Esta historia es de la edición Fall 2022 de Fiddler Magazine.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición Fall 2022 de Fiddler Magazine.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE FIDDLER MAGAZINEVer todo
Bluegrass Fiddling
Fiddler Magazine

Bluegrass Fiddling

Mac Magaha-Nashville's Dancing Fiddler

time-read
1 min  |
Fall 2022
The Intrepid Fiddler
Fiddler Magazine

The Intrepid Fiddler

Busking in the Digital Age

time-read
5 minutos  |
Fall 2022
Isle of Birds
Fiddler Magazine

Isle of Birds

Scottish Fiddling with Pete Clark

time-read
4 minutos  |
Fall 2022
Jody's Column
Fiddler Magazine

Jody's Column

"Broken Down Gambler" as played by The Skillet Lickers

time-read
3 minutos  |
Fall 2022
Tunesmiths
Fiddler Magazine

Tunesmiths

A Favorite Tune and its Mysterious Title

time-read
7 minutos  |
Fall 2022
On Improvisation
Fiddler Magazine

On Improvisation

In this On Improvisation column, we'll be discussing Mr. (or Ms.) Pinky, as he (or she) is known to his (or her) friends.

time-read
4 minutos  |
Fall 2022
Ingredients of Fiddle Tunes
Fiddler Magazine

Ingredients of Fiddle Tunes

After several years of teaching and playing at the Festival of American Fiddle Tunes in Port Townsend, Washington, Marc Savoy, accordion maker and player, said he did not want to return.

time-read
6 minutos  |
Fall 2022
Glen Harrell - Turn up the Volume
Fiddler Magazine

Glen Harrell - Turn up the Volume

In just a little over 10 years since its formation, Volume Five has become one of the most popular bluegrass bands in the industry. The reason is obvious: distinctive, strong vocals, quality instrumentation, well-chosen bluegrass and gospel songs in its repertoire, and a dedicated leader of the band.

time-read
5 minutos  |
Fall 2022
Violin Maker's Corner
Fiddler Magazine

Violin Maker's Corner

Fundamental Friction Facts for Fiddler Folks

time-read
5 minutos  |
Fall 2022
Murray Kuun: Non-traditional Violin Maker
Fiddler Magazine

Murray Kuun: Non-traditional Violin Maker

Murray Kuun is a woodworker and luthier living in South Africa, where he builds violins and other instruments. In a recent interview, he told us about his path to becoming a maker of instruments with innovative designs.

time-read
2 minutos  |
Fall 2022