A CINEMATIC ODYSSEY BY ASEEM MISHRA

Dive deeper into the artistry of Aseem Mishra ISC, the maestro behind the camera, as he unveils the intricacies of his visual storytelling in “Pooja Entertainment’s Mission Raniganj” using the cutting-edge Sony VENICE. From subterranean coal mines to challenging rescue scenarios, Mishra’s cinematographic finesse, coupled with technological brilliance of Sony VENICE, painted a vivid canvas of cinematic brilliance, that ensured a gripping visual experience like never before.

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Aseem Mishra ISC, a seasoned cinematographer, traces his cinematic journey from the coal mining town of Dhanbad to the world’s movie sets. Born and raised amidst officers of the “Indian School of Mines”, his early exposure to films in the officers’ club sparked a lifelong passion. After specializing in cinematography at “MCRC Jamia Milia Islamia University”, he delved into news features, documentaries, and multi-camera setups. His remarkable career spans shooting in war-torn zones, directing ads, and contributing to iconic films like “New York,” “Bajrangi Bhaijaan,” and “83.” Mishra’s recent project, “Mission Raniganj,” allowed him to artistically portray the 1989 rescue operation in a coal mine, presenting unique challenges and creative triumphs. In this interview, he shares insights into his creative process, the significance of Sony VENICE in “Pooja Entertainment’s Mission Raniganj” and the evolving landscape of cinematography. With the Sony VENICE camera, Mishra achieved his vision for the film’s low-lit underground sequences and night rescue operations, showcasing the camera’s prowess in capturing cinematic brilliance.

What inspired you to become a cinematographer and how did you get started in the industry?