THE WHOLE NINE YARDS of Wi Ha-joon’s acting aside, for me, what he did in Midnight (2021) is conspicuous. I despised him as much as I was awed by his unnervingly malicious Do-shik—a deranged serial killer. The raved psychological thriller film is a fatal hide-and-seek between him and a deaf Kyeong-mi (Jin Ki-joo) after she sees him stabbing a woman, becoming his next quarry. Wi carved a real creep out of Do-shik, eliciting the ultimate embodiment of fear lurking in the shadows. And while Korean content is already well-versed in portraying such characters and narratives, through casting Wi as Do-shik, the industry secured another savvy performer whose hegemony shows on screen, perhaps more as “the bad guy.”
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