MOST ACTORS PLAYING superheroes don't look like superheroes until they go through a rigorous training regime and step into their expensively tailored super-togs. Before he showed up as Ant-Man, for example, Paul Rudd was better known for bringing the aroma of Sex Panther when Ron Burgundy's Channel 4 news team assembled. Chris Pratt, meanwhile, made his name as the slobby lead singer of Mouse Rat in Parks And Recreation before guarding the galaxy as Star-Lord.
Dwayne Johnson is not most actors. In fact, if ever there was a movie star precision-engineered to fill a skin-tight spandex suit, it's the artist sometimes known as the Rock. Obviously there's that physique, honed over a couple of decades in the rings of WWE. But there's also the grin, the mastery of the quippy one-liner, and - mostly thanks to the Fast & Furious franchise - an ability to play fast and loose with the laws of physics.
All of which makes it somewhat improbable that, unless you count voicing Krypto the Superdog in DC League Of Super-Pets, Black Adam marks his debut in a bona fide superhero movie albeit playing a comic book veteran who’s less Superman-style boy scout than an antihero who'd be right at home in The Good, The Bad And The Ugly.
“We all know that Dwayne Johnson can save the world, so everyone felt like he’s a real-life superhero,” producer Beau Flynn tells SFX. And yet he hadn’t played one. It’s funny when I tell people it’s Dwayne’s first time as a superhero, people almost don’t believe me.”
“Audiences are so used to seeing that Dwayne Johnson million-watt smile,” adds fellow producer Hiram Garcia. However, Black Adam isn’t a guy who smiles. He’s a guy who makes people very uncomfortable, filled with some darkness and a whole lot of rage. That’s always been an aspect that’s made this character so intriguing.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS