After studying science at University, Alfredo came to the conclusion that bonsai was his true passion, but turning it into a full-time job was quite a struggle.
What was your education?
I graduated from high school and then went on to study Biological Sciences at university. Although I didn't become a biologist, information I acquired during my studies it helps me in my current professional activity, both in terms of the way I teach and my knowledge of plant biology and physiology.
In 1999, I met Salvatore Liporace and started attending the Studio Botanico in Milan. At the time, it seemed to me like a dream to be able to work with my teacher and practise manual labour, for which I am quite gifted. Moreover, the Studio Botanico was frequented by most of the best-known bonsaists in Italy and Europe. Gradually I found myself doing bonsai for work, without barely noticing.
How did it all start?
When I was 13 years old I saw my first bonsai in Elio Piccin's shop in Milan, my parents then gave me a small Japanese maple and a bonsai book. Although I lived in Milan, my parents' house had a big garden and so I could start growing my first plants. I then had a long self-taught journey until I met Salvatore Liporace. I did an apprenticeship with him.
Later, I started to collaborate with the bonsai nursery, Oltre il Verde in Cernusco sul Naviglio (Milan), and to take care of teaching lessons for the Amici del Verde bonsai club. This club has grown greatly in recent years and today has around 40 members.
Who was your teacher?
Esta historia es de la edición September / October 2022 de Bonsai Focus EN.
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Esta historia es de la edición September / October 2022 de Bonsai Focus EN.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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BETULA
The challenge to grow bonsai from scratch
Refreshing accents
Summer accent plants that grow near water
Cast in Iron
Saad Khayar's naturalistic and detailed tenpai
BONSAI FROM FRUIT
Propagate by sowing seeds, or taking cuttings to create new bonsai
THE ROUGH DIAMOND
Bjorn Bjorholm works on a juniper with hidden qualities
Little, but wild
Bringing out the best from material with many faults
My victory
The bonsai passion of Alfredo Salaccione
The Azuma pines
Daiki, the third-generation Abe, works on seed-grown pines
No turning back
David Quintana works on a Scots pine (Pinus sylvestris)
Kid's play or pot?
A (very) young artist creates unconventional pots that are seriously cool