Mother Nature offers a complex combination of beauty, fascination, drama and danger. As a child growing up in Dallas, Texas, Paige Vincent's first encounters with natural phenomena involved seeking shelter from storms and hurricanes. As an adult, she now chases them to capture the perfect photograph.
Storm-chasing is extremely dangerous, requiring mastery of not only photography but also meteorology knowledge, experience and the willingness to trust your instincts.
We spoke to Paige about the empowering aspect of being a female storm-chaser and the various risks and creative challenges she has had to overcome to achieve her goal of capturing awe-inspiring images of powerful natural events.
Your shooting environment is quite different from that of most photographers. What preparations do you have to make to ensure your safety?
Most photographers don't go straight towards danger, that's true! Safety is the top priority when storm-chasing. I always start with some thorough research, including understanding the storm's track and the potential hazards.
I also monitor weather forecasts and radar updates leading up to a storm, then livetracking in the field. It's essential to have an emergency plan in place, including having two exit routes at all times, and knowing the safe locations to retreat to if conditions worsen. I always carry a first-aid kit, plenty of water and snacks.
How do you protect your gear - or do you use specialised equipment?
My camera is weather-sealed, which adds an extra element of protection. Nikon does a very good job of creating products that can withstand the elements. For extreme winds and dust, I often keep protective covers on every lens between shots. Being prepared not only protects my gear but also helps me focus on capturing those incredible moments, so I don't miss anything.
Esta historia es de la edición Issue 285 de Digital Photographer.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición Issue 285 de Digital Photographer.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents