Use your drone like a flying tripod
Digital Photographer|Issue 257
Capture low-level aerial images to open up otherwise inaccessible locations
Use your drone like a flying tripod

Drone photography has certainly – excuse the pun – taken off in recent years. Thanks to increasingly easy-to-fly models offering exceptional image quality in a highly portable package, more and more photographers are turning to drones to capture unique views of the world around us.

The ability to fly a camera up to 120m above any terrain, including water, opens up a wealth of creative opportunities. But with this ability to shoot large and wide vistas, it’s all too easy to forget about the subtleties of the landscape. When it comes to drone photography, less can often be much more.

While there’s nothing wrong with shooting from high altitudes, and indeed, some locations require this approach, others might benefit from being shot from an altitude a little over head height, between two and ten metres. The advantage here is that you can shoot from locations that are otherwise inaccessible on foot, such as over water, dangerous rocks or marshland, but the resulting images don’t necessarily scream out ‘drone shot’.

Viewers will see that something different is going on in the frame, but it might not be immediately obvious that a drone was used, making for a much more engaging photograph.

What you’ll need

Flyer and operator IDs (from the CAA)

Drone and controller

Landing mat

Smartphone

Adobe Lightroom

Shooting steps

Esta historia es de la edición Issue 257 de Digital Photographer.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

Esta historia es de la edición Issue 257 de Digital Photographer.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.

MÁS HISTORIAS DE DIGITAL PHOTOGRAPHERVer todo
Sigma 28-105mm f/2.8 Art
Digital Photographer

Sigma 28-105mm f/2.8 Art

This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive

time-read
1 min  |
Issue 285
AstrHori 120mm f/2.8 Macro 2x
Digital Photographer

AstrHori 120mm f/2.8 Macro 2x

Matthew Richards finds out if double the magnification means couble the value

time-read
1 min  |
Issue 285
DxO PhotoLab 8 Elite
Digital Photographer

DxO PhotoLab 8 Elite

DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?

time-read
3 minutos  |
Issue 285
Panasonic Lumix GH7
Digital Photographer

Panasonic Lumix GH7

Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat

time-read
3 minutos  |
Issue 285
STORM CHASE
Digital Photographer

STORM CHASE

Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms

time-read
5 minutos  |
Issue 285
PROTECT YOUR IMAGES FROM AI
Digital Photographer

PROTECT YOUR IMAGES FROM AI

Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission

time-read
4 minutos  |
Issue 285
CREATE AI COMPOSITES
Digital Photographer

CREATE AI COMPOSITES

Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds

time-read
3 minutos  |
Issue 285
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Digital Photographer

Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS

Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom

time-read
10+ minutos  |
Issue 285
MASTER MINIMALISM
Digital Photographer

MASTER MINIMALISM

Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work

time-read
6 minutos  |
Issue 285
LITTLE WONDERS
Digital Photographer

LITTLE WONDERS

Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents

time-read
8 minutos  |
Issue 285