I recently did something that I swore I would never do, no matter how desperate I got: I signed up to participate in a triathlon. Now, let me assure you that I will bring this back around to photography in a moment, but I'd ask you to indulge me and give me a couple more sentences for this analogy to play out.
I signed up for the triathlon after my cousin and I decided that it might (might!) be an interesting and possibly even fun thing to try, so we agreed to pressure each other into signing up. After the post sign-up adrenaline had worn off, though, I realized that I would actually need to start training for a triathlon, and I also realized that I would have to get a wetsuit or maybe even one of those goofy-looking triathlon singlets. I quickly realized that there is a huge array of triathlon suits to choose from, with all kinds of different designs and features, and while some cost only $40, others cost well over $1,000.
Believe it or not, when I first started looking at the details of the Canon R50 mirrorless camera, it reminded me of my search for a triathlon suit. What I'm looking for in a suit is something that works well and is easy for a newbie to wear and use. Because this is my first triathlon and I'm still just trying out this hobby for the time being, I don't want to plunk down a ton of money on something that I'm not even sure I'll like. In short, I'm looking for the Canon R50 of wetsuits.
My own sporty search is still ongoing, but if I were in a similar place in my photographic journey, I think I would be quite happy to find an option like the R50. It's a clear upgrade from a cellphone camera, and it has everything that you'd expect from a modern mirrorless camera, without overloading a new user with pricey features that they might not ever use. Today we'll take a closer look at the R50 and see what it I can do, and we'll consider whether it might be a good option for you-or not.
Esta historia es de la edición Issue 128 de Photography Masterclass Magazine.
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Esta historia es de la edición Issue 128 de Photography Masterclass Magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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THE LOWDOWN ON THE SIGMA 15 MM F/1.4 ART FISHEYE LENS FOR SONY
Still, I don't want you to think I'm trying to give you the ol' bait-and-switch, so I'll say right from the top that this lens is quite pricey, and it's certainly not for everyone.
FEATURED PHOTOGRAPHER: DINA BELENKO
In this issue, we interview Dina Belenko, the conceptual still life photographer whose work transcends the boundaries of imagination.
PROVEN TECHNIQUES FOR CAPTURING THE BEAUTY OF FIREWORKS
Snapping the perfect shot of a fireworks display involves more than just pointing and shooting.
7 REASONS TO USE A DEDICATED CAMERA INSTEAD OF A SMARTPHONE
Nearly all of us us have a smartphone in our pockets and the included cameras have led to a real explosion in photography.
7 COMPOSITION TIPS THAT WILL IMPROVE YOUR PHOTOS
If you've wondered why some photos just look better, one of the secrets is often the composition.
THE LOWDOWN ON THE CANON EOS R50 MIRRORLESS CAMERA
An ideal camera for entry level photographers on a budget
FEATURED PHOTOGRAPHER: DAVID WRAGG
In this issue we featured David Wragg, an English automotive studio photographer. David caught our eye when he shared one of his images with us on Facebook where he captured the sleek curves of the front end of a classic Jaguar E Type.
MASTERING SPORTS PHOTOGRAPHY: TECHNIQUES FOR CAPTURING THE ACTION AND FREEZING THE MOMENT
Sport is such a broad and encapsulating term. People across the world love playing and watching a huge variety of sports – from tennis, through football and formula one; every sport will appeal to someone.
THE BENEFITS OF SHOOTING IN APERTURE PRIORITY MODE:
How Aperture Priority can help you achieve creative control over depth of field
EXPLORE YOUR CREATIVITY AND GET OUT OF YOUR COMFORT ZONE
Whether you’re a professional photographer or just enjoy taking images as an amateur, it’s easy to fall into a comfort zone of always shooting the same thing.
