In the early 1980s, I worked in a pop band playing AM radio hits, grooving behind my Yamaha drums and Zildjian cymbals as sweat drenched my body and my ears rang. We danced. We pranced. My shiny silk jumpsuit led upwards to a 2"-high afro, which women ran fingers through in hopes of finding contraband smokes.
I was not proud. Our band was hot, booked year-round in hotel lounges and standalone clubs from Florida to Virginia Beach.
"Beach music" was a popular southeastern style then, an R&B variation on '40s swing and doo-wop, with close vocal harmonies, popping brass, and choregraphed dance steps. Like peanut-sized rock stars, we reveled in this insular, south-of-the-Mason-Dixonline entertainment lifestyle with its small-town intrigues, tasty southern food, and bodacious southern belles. Then overnight, everything changed.
At the beginning of the previous decade, Technics had released the SP-10, the first direct-drive turntable. That was followed in short order by the SL-1100. Clive Campbell, aka Jamaican-American DJ Kool Herc, pioneered the simultaneous use of two Technics SL1100s, initially at his sister's birthday party in the Bronx, inspiring "block parties" (rigging streetlamps for power) and hip-hop culture. Kool Herc isolated drumbeats from records by James Brown (with drummers Clyde Stubblefield and John "Jabo" Starks) and the Incredible Bongo Band (powered by master studio drummer Jim Gordon), among others, creating "breaks" for heated dance-floor partying. Soon, Lace Taylor (aka Afrika Bambaataa) and Grandmaster Flash (The Message) took Kool Herc's inventions into the mainstream, and hip-hop went global.
The SL-1100's successor, the SL-1200, released just a year after the SL-1100, quickly became the deejay's turntable of choice and continued to be until it was succeeded in 1979 by the SL-1200MK2, the first turntable to intentionally include deejay-friendly features. The world's most popular turntable was born.
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Michael Des Barres and the Art of Aural Obsession
Listening to music inspires us to take action. Upon hearing an I.E.-Instant Earworm-we must then determine the best way we can go about listening to it again (and again) at our convenience.
PLANET OF SOUND
BLACK FRANCIS ON HARNESSING THAT MAGIC PIXIES DUST
T+A R 2500 R STREAMING RECEIVER PHONO MODULE
In my review of the T+A R 2500 R receiver (August 2024 issue), I covered many of its features and took as deep a dive as time and column inches allowed.
Audia Flight FLS10
The dogma of separates has long reigned supreme among audiophiles: If you're serious about sound quality, you're supposed to need a dedicated preamp and power amp.
Totem Acoustic Element Fire V2
Totem Acoustic was founded in 1987, in Montreal, Canada, by a former high school math teacher named Vince Bruzzese. The company's first product, the Model 1 loudspeaker,' impressed me so much I bought a pair.
MoFi Electronics MasterDeck
Get two mouthy jazz drummers in a room and watch the sparks fly. Talented turntable designer Allen Perkins, the brain behind Spiral Groove,2 Immedia's RPM turntables,³ and various SOTA models, is first and foremost a jazz drummer.
Soulution 727
AImost 14 years have passed since a review of a Soulution product appeared in the pages of Stereophile.\"
The Spin Doctor checks out the Kuzma Safir 9, a superarm from Slovenia.
The British audio scene from the late 1970s through the mid-1980s was pretty strange. Audio as a hobby was a big deal, with widespread appeal to a much younger crowd than today. Audiophiles were guided by a flurry of what my friends called \"hi-fi pornos,\" audio magazines that filled the racks at the newsagents.
Alex goes to Japan
Arriving in Japan from the United States is like being turned upside down. This condition lasts for much of the first week. When I visited in November, the time difference between Tokyo and New York was 14 hours. \"The floating world\" is a term for the pleasure-addled urban culture of Edo-period Japan, but it's also an apt description for the twilit and not-entirely-unpleasant weirdness of first arriving in Tokyo. Everything seems slightly unreal.
Wilson Audio Specialties The WATT/Puppy
Since the original WATT/Puppy concept kicked off in the late 1980s,' there has been a 40-year evolution leading to the latest version reviewed here.
