Is the earth really not flat? I remember those cross-section diagrams of the earth’s core in school books – those were always spherical. So, if the earth is spherical, but we are all perpendicular to it, are we standing upright like pins pinned on a pin cushion? How does that work? I didn’t pay much attention in science class, and I am not that curious enough to Google it now, but these are just some of the very random thoughts that float through my head any time a patch of sky catches my attention and holds it for an embarrassingly long time. Of course, when teachers in school asked, ‘What was so interesting outside the window’, I couldn’t tell them this – but there is something about that moment when you look up at the sky and realise that there in its vastness, every mundane and absurd thought in your head makes complete sense – it is genuinely very interesting! After all, some of history’s most prolific creative minds have often turned to the heavens for inspiration. But in all their journeys across the sky, from when Van Gogh and Munch painted their Starry Night(s) to when Steinbeck penned his ‘torn cloud, like a bloody rag’, the sky, in all its fleeting and ever-changing glory has remained seemingly close, yet just out of reach. That was until James Turrell, the American artist famous for his works on light and space, encased the ethereal within a built form and gave the movement of time and space a sense of physicality – one that can be seen, heard and felt.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
A Sky Full Of Thoughts
Artist James Turrell’s ‘Twilight Epiphany Skyspace’ brings together the many nuances of architecture, time, space, light and music in a profound experience that blurs boundaries and lets one roam free within their own minds
We Are Looking into It
Swiss-based artists Jojakim Cortis and Adrian Sonderegger talk to us about the evolving meaning and purpose of photography and the many perspectives it lends to history
Cracked Wide Open
Building one of the world’s largest domes was no mean task for anyone, let alone an amateur goldsmith, so how did Filippo Brunelleschi accomplish building not one, but two of them?
In Search of a Witness
In conversation with legendary artist Arpana Caur on all things epiphanic, on all things pandemic, and on all things artistic
Where the Shadows Speak
The founder of Sarmaya Arts Foundation takes us through the bylanes of his journey with Sindhe Chidambara Rao, the custodian of the ancient art form of shadow puppetry – Tholu Bommalata
Bodies in Motion
What happens to the memory of a revelatory experience when it is re-watched through the frames of a screen? It somehow makes the edges sharper and the focal point clearer, as we discover through Chandralekha’s iconic Sharira
Faces in the Water
As physical ‘masks’ become part of our life, we take a look at artists working with different aspects of ‘faces’ and the things that lurk beneath the surface.
A Meeting at the Threshold
The immortal actor exemplified all that is admirable about his profession, from his creative choices to his work philosophy, and his passing was a low blow. This is our tribute to the prince among stars – Irrfan
The Imperfect Layout To The Imperfect Mystery
Jane De Suza’s ‘The Spy Who Lost Her Head’ doesn’t feature a protagonist with superhuman skills of deduction, nor a plot that fits together like a jigsaw puzzle. Here, quirks and imperfections are pushed into the spotlight
Free and Flawed
Greta Gerwig revitalises the literary classic, Little Women, highlighting the literary journey of its temperamental and wonderfully flawed female protagonist, Jo March