Today the event gathers writers of varying genres and backgrounds every summer for a weeklong master’s-level workshop at Texas A&M and boasts an active community of more than two hundred alumni Macondistas. (This year’s deadline for applications is February 23.) Named after the town in Gabriel García Márquez’s One Hundred Years of Solitude, Macondo holds as its mission “to inspire and challenge one another in order to incite change in our respective communities.” The recipient of two National Endowment for the Arts fellowships and a MacArthur “Genius” Fellowship, Cisneros exemplifies that mission with her work as an activist, teacher, and writer. Her classic coming-of-age novel, The House on Mango Street, has sold more than six million copies since it was published by Arte Público Press in 1984. She recently spoke about Macondo’s origins and impact.
Why did you start Macondo?
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
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AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
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TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
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IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
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