LET us imagine you've sold that book you've been working on for years. Say, too, that you and your publisher have hammered out the broad terms of a deal you can live with. When the contract shows up in your inbox, you may well let loose a private little whoop of joy. You might even post a picture of it online so you can bask in all the likes from your writer friends.
But then you have to read the thing.
As anyone who has seen a book contract can tell you, it is a long, dense, at times confusing document. And once you get past the big-ticket items like your advance and the subsidiary rights you're electing to keep or let the publisher have, a book contract is packed with boilerplate language that spells out the obligations between you and your publisher, some subtle, some of which may never come into practice. But, as with any legal document, you need to read it carefully to protect yourself in case something unexpected does happen.
Literary agents, who spend their lives negotiating book contracts, are your chief advocates and advisers here. If you don't have an agent, you can hire a lawyer with experience in publishing contracts. If you want to educate yourself about the process, the Authors Guild (authorsguild.org) offers a useful "Model Trade Book Contract," with standard contract language and commentary explaining what each provision means.
Ultimately, though, two factors will determine whether the contract you sign protects or costs you. The first and most important of these is your bargaining leverage. Every book contract is open to negotiation, and if a press wants to publish your work badly enough, you can demand quite favorable terms. But even if your bargaining power is relatively low, if you understand what you're agreeing to and why it's in the contract, you can still do a lot to safeguard your interests.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
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AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
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RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
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