“WHEN YOU CAN WALK PAST A SET AND there’s a big troll catapult outside the front door,” grins Sir Kenneth Branagh, “that never gets old.”
This unique sense of job satisfaction is provided by the stage-and-screen knight’s latest directing gig. Based on the 2001 YA novel by Eoin Colfer, Artemis Fowl introduces the titular boy genius: a 12-year-old criminal mastermind looking to restore his nefarious family’s fortunes by kidnapping a fairy and demanding a ransom in fabled gold.
As Branagh tells Red Alert, he was lured by Colfer’s worldbuilding, in particular the appeal of a reality where elves, goblins, and pixies co-exist with high technology and the underworld of crime. Colfer himself has called the original novel “Die Hard with fairies” and while there’s a distinct lack of grimy-vested yippee-ki-yay, there’s an abundance of something else.
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ANCER MAHAGEMENT
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SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
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UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
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