In the window seat of a restaurant in SoHo, New York, Léa Seydoux is figuring out how to tame a gargantuan burger, which she needs to eat as fast as possible so that she can think. She is extremely hungry. She is also extremely tired. Seydoux has a three-year-old son who likes to climb into her bed at night (“I have no authority,”she concedes mildly) and a brutal schedule simultaneously promoting the forthcoming James Bond movie, No Time to Die, directed by Cary Joji Fukunaga, and shooting a French film by Bruno Dumont in Munich. But the world’s attention, inevitably, is on the former—a project that seems to have been beset by challenges, most recently having its release date pushed back to November in response to an open letter calling for public health to be prioritised above marketing schedules.
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