When Kaiser Karl brought the tomb of Nefertiti onto a New York runway, guests were treated to a splendid, shimmering spectacle. Kenneth Goh was in the Big Apple to witness this Chanel extravaganza.
If there’s any observation to be made, it would be that no one would have imagined the grand setting of the Temple of Dendur from 10 BC (within the stupendous surrounds of The Met in New York) to be the backdrop to Karl’s last métiers d’art collection. The Creative Director of Chanel had been doing this pre-fall, demi-couture collection for over 16 years—a collection that utilises 26 couture ateliers, including some of the world’s best shoemakers, jewellers, embroiderers and milliners. It must have felt, in some way, that he would have gone on forever.
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