In Park City, Utah, at the first in-person Sundance Film Festival since 2020, you could go be devastated by the Cynthia Erivo-Alia Shawkat film Drift, about an impoverished refugee, then fête it in a lounge at an after-party sponsored by Chase Sapphire. Sundance has always been half about the movies and half about the atmosphere surrounding them. Strangers talk to you in line for coffee or for a panel. You go to a temporary outpost of Tao and see former network-TV star [redacted] dragged out shit-faced. It's in these spaces where hype ferments and introductions are made and the upcoming year in cinema is decided.
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