So here’s the pitch: a woman arrives in Paris from South America. A lawyer and model, she is striking and glamorous. She meets a dashing Morocco-born Frenchman making a name for himself as an art director in fashion and advertising. He is drawn to her taste and elegance; she is impressed by his creativity and, a decidedly un-French trait, his “enthusiasm”. Starting out as friends, they become husband and wife, and eventually launch a publishing company that turns the tables on the world of coffee-table books.
The story of Assouline is, if you’ll forgive the pun, one for the books. It could well be a rom-com with a literary theme come to life, where the characters are so suave and attractive and polished, their homes and boutiques so exquisitely designed, so expertly curated. And then there are the books: sleek, alluring, delightful and irresistible, adjectives that apply just as aptly to the Assoulines themselves. For indeed, they—Prosper, Martine and their sons, Alexandre and Sébastien, who are now part of the family business—inhabit the same world of luxury that their books embody.
Assouline did not so much reinvent the book business as stake out a niche all its own when it launched in 1995. Other revered publishing houses like Rizzoli, Stewart Tabori & Chang, Phaidon, Thames and Hudson and Taschen produce books that can be equally lavish and beautiful, but Assouline books have a je ne sais quoi in their DNA.
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