J S: ’Twas was inspired by classic Christmas albums by the likes of Nat King Cole, Johnny Mathis and Ella Fitzgerald. What are your top Christmas albums?
PG: Stevie Wonder's Someday At Christmas and The Beach Boys’ Christmas Album are both records that I like a lot. When I was hunting for chords and arrangements the Nat King Cole versions were my favourite overall. The arrangements are beautiful and sophisticated, and Nat's singing, tone, phrasing, and timing are fantastic. I also discovered The Ventures' Christmas Album. Their surf guitar version of Sleigh Ride is so good. There's no way I could top that, so I took that song off my list. I also checked out Elvis Presley, Neil Diamond, Amy Grant, The Supremes, and Bing Crosby. It was a real style adventure!
JS: This album might present the most sophisticated harmonic contexts you’ve played in. What can a rock guitarist gain from being able to play these types of chords and solo over them?
PG: It's as much ear training as it is learning the notes on the fingerboard. The first step is just to find something that you like. Then you spend time listening, and some time seeing how things work in the musical context. My ear was opened up to jazz harmony by listening to music that was very structured. The Melody Still Lingers On by Chaka Khan, was something that I immediately liked. But as a rock player, just about every chord was a mystery to me. I looked up a jazz guitar teacher, and we went through it together. That was about 10 years ago, and I'm still slowly climbing the foothills of the jazz mountain. But you've got to start somewhere, and I really recommend doing it with a song that you like.
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