THE ORIGINAL FENDER Acoustasonic Telecaster, Stratocaster and Jazzmaster impressed the guitar nation by offering a true hybrid of acoustic and electric sounds and performance in a single instrument, but the price tag is just a little too steep for players who aren’t considering one as a primary instrument. Priced 40 percent less than those previous Acoustasonic models, Fender’s new Acoustasonic Player Telecaster makes it easier for guitarists to add an Acoustasonic to their arsenals as a second, third, fourth or 20th instrument without as big of an economic commitment. While the electronics of the Acoustasonic Player Telecaster aren’t quite as versatile, the overall acoustic-meets-electric vibe remains along with the same feel, playability and mostly similar materials.
FEATURES
To cut to the chase, here are the main differences between the regular Acoustasonic models and the Acoustasonic Player Telecaster. The regular Acoustasonic has an ebony fingerboard, three pickups (Fender Acoustasonic Noiseless N4 magnetic, Fishman under-saddle transducer and Fishman Acoustasonic Enhancer) and a five-way switch that provides 10 different acoustic and electric voices via the Blend control. The Acoustasonic Player Telecaster has a rosewood fingerboard, two pickups (the Acoustasonic Enhancer is absent) and a three-way switch that provides six different voices via the Blend control. Also, the regular Acoustasonic offers five finish options and is built in Corona, California, while the Player model has four separate finish options (Brushed Black, Butterscotch Blonde, Shadowburst, Arctic White) and is made a short 180 miles away in Ensenada, Mexico.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
