A FAMILY LEGACY OF ART

The art form of Patan patola has been passed down through 40 generations of the Salvi family since the 11th century. But patola saris’ unique making process and exceptional precision means that keeping the tradition alive is no mean feat.

- VEIDEHI GITE

DID YOU KNOW that some of the artwork unearthed in the Ajanta caves bears remarkable resemblance to the famous patola tie-dye designs of Gujarat? Derived from the Sanskrit word pattakulla, patola is an expensive fabric that has enjoyed popularity since the 11th century. Double ikat patola weaving was said to protect combatants in warfare as well as against evil and illness. Patolas were frequently offered as extravagant gifts in the 17th and 18th centuries and were ministered with the same reverence as jewellery. In fact, it is said that Sita, Lord Rama’s wife, received patolas from King Janak. Intrigued by this long and illustrious history, I travelled to Patan, a tiny hamlet in Gujarat, to get to the bottom of the Patan patola (patanpatola.com) heritage.

This little town, 130 kilometres from Ahmedabad, was once the capital of Gujarat. I was headed to the home of the Salvis, who claim to be the only family to be weaving the double ikat saris since the 11th century. I drove past dusty alleyways, bustling bazaars, Marwari chai and snack stalls, and the township of Patan to reach Patola House, the abode of the Salvis on the quiet Rani ki Vav road, named after another heritage gem.