IT IS FEBRUARY 1, 2020. There is massive excitement in the air. Congregations of devotees are on the banks of the River Narmada in the town of Maheshwar, in Khargone district of Madhya Pradesh, chanting ‘Jai Narmade’ (salutations to River Narmada). Some are immersing saris, coconuts, rice, and turmeric in the water, and then removing them. Boats are ferrying families that have promised 1,300 metres of fabric (the breadth between two sides of the shores) as a ‘thank you’ to the holy river for prayers answered.
This extensive fabric (polyester, sadly) will later be cut into five-metre pieces and distributed to the needy as saris. We’ve serendipitously landed up in Maheshwar on River Narmada’s ‘birthday’. This fabric immersion ritual is especially meaningful in a city that earns its primary income from its handloom trade. The celebrations run all day long; in the evening, they culminate in singing, dancing, and lighting of diyas at the ghats. The village across the river plays Ma Rewa by Indian Ocean. The Indian folk band wrote the song 20 years ago on the River Narmada.
Through the afternoon, a group of women in orange polyester saris clean up the little mess made by the devotees. There is no plastic! This is thanks in part to these women, who refer to themselves as ‘sisters’ or ‘keepers’ of the Narmada. All the efforts by the government, the attention from the Narmada Bachao Andolan, and the locals’ reverence have paid off. Among the five biggest holy rivers in India, Narmada is considered by some to be the holiest. Local legend goes that when Ganga feels unclean, she comes and cleans herself in the form of a black cow in Narmada.
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