Morgan Talty’s debut collection of short stories, Night of the Living Rez, is a biting exploration of life on the Penobscot reservation. My admiration for the book wholeheartedly subscribes to the spirit of visibility and uniqueness as we’re seeing more Indigenous writers and books enter the mainstream cultural consciousness.
The aesthetic significance of these stories—which is to say, Talty’s technique, spare style, and intermingling of themes and variations of the wounded and difficult lives of his Penobscot characters—serves as an important glimpse into the landscape of literary fiction involving a resilient Indigenous people. I found myself moved by their lives and how well Talty is able to capture a wide range of emotions. While the stories are tragic, sad, and at times even humorous, they are perhaps best described by the title of the final story, “The Name Means Thunder.” Their unpredictability, like a thunderstorm, is what makes them extraordinary.
One of the things I love about this collection is the way you balance humor with sadness, which is difficult to do well. Can you talk a little about the importance of sadness and humor in the book and how you approach the process of finding that balance?
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Literary MagNet
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