Soft POWER

In a world of mixed messages, the Italian brand Max Mara is uniquely synonymous with power. As Angelina Jolie evolved her image to include humanitarian work as well as her acting, she made Max Mara's pencil skirts and wrap coats staples of her wardrobe. When Meghan Markle's celebrity shifted from soundstage to world stage, she relied on an assortment of unfussy button-up silk blouses and mouthwateringly soft outerwear. And when Nancy Pelosi, soon to be the Speaker of the House, exited a contentious meeting at the White House with then-president Donald Trump in 2018, she was cocooned in a sleek red funnel-neck coat that gained viral acclaim as the "fire coat."
These are clothes designed to empower and also recede behind the wearer in their crisp correctness, to ensure her image won't be cluttered by any competing message from a fashion designer.
And this is the kind of clothing Max Mara makes. You will never see a Max Mara collection that's in conversation with what's happening at Gucci, Prada, or other luxury brands that inspire biannual changes in sleeves, hem lengths, and color palettes. You won't spot the Max Mara logo anywhere but the tag of a garment. The brand does not build a world and invite you to participate in its fantasies; it sees the world that its woman-well-off, well-heeled, and well-positioned-lives in and designs for her reality.
Max Mara's clothes imbue their wearer with a feeling of security, of confidence in her own power, a magic trick most directly associated with those aforementioned coats. Long a fashioninsider status symbol, the wool and cashmere ones, in resolutely simple wrap shapes or sumptuous double-breasted cuts, are often compared to the Hermès Kelly bag or the Burberry trench coat because of how they serve as an emblem for the brand. Still, like the rest of Max Mara's clothes, they are discreet, a kind of anonymous armor.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,500+ magazines and newspapers.
Already a subscriber? Sign In

The NO-MAKEUP MAKEUP Revolution
GLOSSIER may have helped usher in our current \"YOU BUT BETTER\" era, but the origins of NATURAL-LOOKING MAKEUP go back decades. Here, a brief history of WHO STARTED it, WHO RAN with it, and how it TRANSFORMED the way we THINK ABOUT BEAUTY.

TOUCH Grass
Floral designer HIKARI YOKOYAMA understands the BENEFITS of BLOOMS. Her GUIDE to the GLOBE'S BEST GARDENS invites a RECONSIDERATION of our RELATIONSHIP with NATURE.

It's a SLIVING
Our columnist, DEREK C. BLASBERG, takes a spin with PARIS HILTON through her state-of-the-art at-home BEAUTY SPA and talks to the multitasking mogul about why her love of more—in both PERSONAL CARE and PROFESSIONAL FABULOUSNESS—is infinitely more FUN

HEART on the Sleeve
A new FILM ADAPTATION of the French coming-of-age novel BONJOUR TRISTESSE uses CLOTHES to explore the COMPLEXITIES of WOMANHOOD for a NEW ERA

On the BODY
CANCER transformed SULEIKA JAOUAD's relationship with her body as she navigated the devastating EFFECTS of the disease. But as she reveals in this excerpt from her new book, she has learned to EMBRACE—and even find BEAUTY in—that JOURNEY.

Everlasting BEAUTY
Of all the SUPERMODELS, LINDA EVANGELISTA was always SINGULARLY SUPER. But NOW she has a DIFFERENT STORY to tell—about TRUTH, BEAUTY, and learning to LOVE YOURSELF, scars and all.

CRAIG MCDEAN, JANUARY 2000
SOMETHING IN THE AIR was undeniably different at the turn of the 21st century; that much was evident.

"WHAT represents 'NOW' to me is this idea of HOPE. We are LIVING in some very DARK and SCARY times, but I have to find HOPE."
The dance work that you see us performing here is called 2x 4.

FACES of NOW ALEX CONSANI, PALOMA ELSESSER, and ANOK YAI MEET the MOMENT with GRIT and GRACE
When Richard Avedon guest-edited the April 1965 edition of Harper's Bazaar, the issue was billed as \"a partial passport to the offbeat side of Now.\"

RASHID JOHNSON on looking INWARD, being PRESENT, and seeing through the MOMENT
The idea of \"now\" has always been central to my project as an artist-and it's central because it's complicated.