MICHAEL MANN’S rip-roaring Ferrari begins in unlikely silence. Early one morning, Enzo Ferrari (Adam Driver) wakes up in bed next to his mistress, Lina Lardi (Shailene Woodley), and quietly checks the time. He softly pulls a blanket over their sleeping young son, Piero. Then, he gently pushes his car out of the driveway so as not to make a sound. Ferrari, the great master of speed and screaming engines, the ruthless racing impresario who will admonish his drivers to “brake later,” is so tender with his family — this family, his other family, the one which he’s juggling alongside his marriage to the long-suffering Laura Ferrari (Penelope Cruz), who still happens to be an equal partner in his automotive business.
Ferrari takes place over a few pivotal months in 1957, a key year in the automaker’s life and career. The business is drowning in debt and his attorney is recommending he sell to an automotive giant like Ford or Fiat. Ferrari cars have stumbled on the race track. His local rival, Maserati, has just brought in the French driver Jean Behra to set new records. Perhaps more importantly, Enzo and Laura have just lost their son, Dino. Laura knows about Enzo’s many infidelities, but she does not know that he has a whole other family with Lina. Meanwhile, Piero is to be confirmed in a few weeks and still doesn’t know what his last name is. Enzo simply asks if the confirmation can be delayed. “Say he’s lost his faith in god,” he tells Lina. When it comes to his private life, the man is all evasion and avoidance.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
